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Saturday, April 27, 2013

We Had Faces Then

de bene esse: literally, of well-being, morally acceptable but subject to future validation or exception
Jan Sterling, 1950, in a publicity shot for the women’s prison film Caged
Jan Sterling, 1950, in a publicity shot for the women’s prison film Caged
Gaby Rogers in Kiss Me Deadly (Robdert Aldritch, 1955)
Gaby Rogers in Kiss Me Deadly (Robdert Aldritch, 1955)
Frederic March and Gary Cooper in Design for Living (Ernst Lubitsch, 1933)
Frederic March and Gary Cooper in Design for Living (Ernst Lubitsch, 1933)
The Phantom of the Opera (Rupert Julian, 1925)
The Phantom of the Opera (Rupert Julian, 1925)
Anton Dolin, 1923
via climbing-down-bokor
Anton Dolin, 1923
Boxer Rocky Graziano, 1950, photo by Stanley Kubrick, from the series “Rocky Graziano: He’s a Good Boy Now” for LOOK magazine
via malesoulmakeup  [source]
Boxer Rocky Graziano, 1950, photo by Stanley Kubrick, from the series “Rocky Graziano: He’s a Good Boy Now” for LOOK magazine
Marilyn Monroe and Arthur Miller, 1957, photo by Sam Shaw
via fuckyesoldhollywood
Marilyn Monroe and Arthur Miller, 1957, photo by Sam Shaw
Gary Cooper in Morocco (Josef von Sternberg, 1930).
This is when I fell in love with him.
Gary Cooper in Morocco (Josef von Sternberg, 1930).
Robert Donat in The 39 Steps (Alfred Hitchcock, 1935)
via destrainsetdesroses
Robert Donat in The 39 Steps (Alfred Hitchcock, 1935)
James Dean, 1955, photo by Phil Stern
via jamesdeandaily
James Dean, 1955, photo by Phil Stern

Paul Newman in Paris Blues (Martin Ritt, 1961)
Paul Newman in Paris Blues (Martin Ritt, 1961)

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