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The reputation of self-publishing—at least in the pre-internet era—was not great. There is a reason why publishing houses that catered to non-professional writers were called “vanity presses.” Your stereotypical self-published author was a little old lady with a briefcase full of messy manuscript pages, paying thousands of dollars to produce a poorly proofread doorstop that no one read.
And yet some of the greatest creators of all time have ponied up their own cash to see their works in print. Why? Let’s find out.
1. A Christmas Carol by Charles Dickens (1843)
Under intense stress (a mortgage payment was due and his wife was expecting), the iconic British author wrote A Christmas Carol in six weeks. But he was frustrated with his publishers, Chapman and Hall, over poor sales of his most recent book, Martin Chuzzlewit,
and decided to pay them to print the book—with proceeds going directly
to him. Production problems plagued the book, and the whole process cost
Dickens more than he expected. Even though the first printing sold out,
he only made £137 of an anticipated £1,000.
2. Leaves of Grass by Walt Whitman (1855)
![](http://mentalfloss.com/sites/default/files/styles/insert_main_wide_image/public/leaves-of-grass.jpg)
This quintessentially American author didn’t just pay to publish the first edition of Leaves of Grass, his defining poetry collection. He also helped set the type. That first edition was only sold in two stores—one in New York and one in Brooklyn. Several more editions followed, adding many more poems (that first version contained only 12 poems, no titles, and no author’s credit).
3. The Joy of Cooking by Irma S. Rombauer (1931)
![](http://mentalfloss.com/sites/default/files/styles/insert_main_wide_image/public/joy-of-cooking-original-cover.jpg)
4. 114 Songs by Charles Ives (1922)
![](http://mentalfloss.com/sites/default/files/styles/insert_main_wide_image/public/ives-114.jpg)
Ives, a pathbreaking composer (and insurance executive)
had no natural place in the sedate world of early 20th-century
classical music. But his business success allowed him to compose
whatever he wanted, and whenever he saw fit—until the muse deserted him
in the early 1920s. As a way to explain himself (and possibly get some
performances), he summed up his creative life with this self-published
volume. By the late ‘40s and early ‘50s, he was all the rage.
5. Swann’s Way by Marcel Proust (1913)
![](http://mentalfloss.com/sites/default/files/styles/insert_main_wide_image/public/swanns-way.jpg)
The Remembrances of Things Past author found no takers
for the first volume of his autobiographical masterwork. As a matter of
fact, the rejections were stinging: ”My dear fellow, I may be dead from
the neck up, but rack my brains as I may I can’t see why a chap should
need thirty pages to describe how he turns over in bed before going to
sleep,” read one. Proust had money, though, and paid publisher Editions
Grasset to print the book. After the first volume was issued, Nobel
Prize-winning writer and editor Andre Gide, who had rejected it, saw the error of his ways and published further volumes.
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