Steven F. Hayward, Paul Kengor, Craig Shirley and Kiron K. Skinner are Ronald Reagan historians.
In November 1952, in one of his final meetings as president of Hollywood’s Screen Actors Guild, Ronald Reagan called upon the entertainment industry to provide greater employment for black actors. His stand went against the times and received national media attention.
These are just a few examples of Reagan’s sensitivity to racial discrimination. This attitude was instilled by his mother, who was deeply involved in the Disciples of Christ, and his father, who refused to allow him to see the movie “Birth of a Nation” because it glorified the Ku Klux Klan.
But you don’t get any sense of that in the film “Lee Daniels’ The Butler.”
Based on an article by The Washington Post’s Wil Haygood, adapted for the screen by Danny Strong and directed by Daniels, “The Butler” is the story of Eugene Allen, an inspiring African American who worked under eight presidents in the White House, Reagan among them. As historians of the 40th president, having written more than a dozen biographies between us, we are troubled by the movie’s portrayal of Reagan’s attitudes toward race. We are especially concerned because many Americans readily accept Hollywood depictions of history as factual.
Two particular incidents in the film concern us:
The butler character (played by Forest Whitaker) is invited by the Reagans to a state dinner, a gracious move wholly typical of the first family. The butler’s wife (Oprah Winfrey) clearly enjoys the evening, but the butler is portrayed as uncomfortable. He feels he’s being used as a political tool, a prop, a token African American. Shortly after this supposed humiliation, he resigns from his White House job.
In reality, Allen felt no such thing. As noted by Religion News Service, “He was especially fond of the Reagans.” A member of Allen’s church recalled that “he often talked about how nice they were to him.” Allen did leave the White House during the Reagan administration, but as Haygood’s profile mentioned, he received a “sweet note” from the president and a hug from the first lady.
Another questionable moment in the film relates to apartheid. Reagan is shown telling a Republican congresswoman that he will veto any sanctions against South Africa. The lawmaker pleads with the president, insisting that sanctions are the moral course and that Republicans are on board. Reagan refuses to budge, offering no reason for his stubborn support of the racist regime, apparently unsympathetic to black suffering. read on ...
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