The Blood and Tears, Not the Magnolias

de bene esse: literally, of well-being, morally acceptable but subject to future validation or exception

Anatomy of a Scene: '12 Years a Slave': Steve McQueen, the director of "12 Years a Slave," narrates a sequence from his film.

“12 Years a Slave” isn’t the first movie about slavery in the United States — but it may be the one that finally makes it impossible for American cinema to continue to sell the ugly lies it’s been hawking for more than a century. Written by John Ridley and directed bySteve McQueen, it tells the true story of Solomon Northup, an African-American freeman who, in 1841, was snatched off the streets of Washington, and sold. It’s at once a familiar, utterly strange and deeply American story in which the period trappings long beloved by Hollywood — the paternalistic gentry with their pretty plantations, their genteel manners and all the fiddle-dee-dee rest — are the backdrop for an outrage.

‘12 Years a Slave’ Holds Nothing Back in Show of Suffering READ ON